NO SOUND IN SPACE, Music Production Studio.
(Music producer and Sound engineer assistant & Observer)
In August 2020, I had a chance to do an internship at No Sound in Space studio which is a music production studio, run by Tum Monotone or Sathapat Teeranitayapap, who was a member
of the band, Monotone, under the Bakery Music label.
During this internship, I was inspired by the creative process of music-making and technical know-how. The experience allowed me to explore music composing, recording and sound mixing in more professional approaches, such as complex mixing techniques, positioning instruments when recording, track arrangements, and hardware usage. For example, the "doubling" vocal lines reinforce the fullness of the main vocal and give it more presence in the mix. I also explored "Sidechaining" for drums which creates the harmonising dynamics of rhythm sections. I gained a lot of depth knowledge about applying EQ to tracks by studying frequency ranges. Most importantly, I learned how to operate dynamic control hardware, such as a compressor, which allows elements in a track to interact with each other more smoothly.
Furthermore, I was allowed to observe in detail pitching skills. We must be able to take in those comments and make suggestions. As the clients collaborate in the production and fine-tune their expectations around what is possible and the better alternatives, the practice pushes the boundaries and the quality of the work even further.
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THE CLARITY OF MOVEMENTS
Visual Storytelling, Photobook (2020).
(Photographer, Content Creator, Editor, Researcher, and Author)
This project is a part of the Visual Storytelling class. I intended to display the magic moments emitted through the decomposition of a scene of reality by the power of unconventional photography. Every interval the light takes paths has its own beautiful connotations and denotations. Both are subjective and ought to be revealed distinctly. The referent beings can be traced, enabling us to perceive how the present appears like this. Plus, seeing the motions of things in a moment in time as they are frozen allows us to experience these scenes in a new light. The long-exposure photography grasps magic; It creates an extended period of time executed in one photograph.
I titled this project “The Clarity of Movements” because when the word “movements” appears, we are apt to come up with the blurring and smearing motions of subjects, but in this case, we see that the obscurity of subjects is due to the clarity of their congenial motions which emanates coherent series of beautiful entities. So, I attempted to show the clarity of movements in the scenes. I created this photo book and allowed them to tell their own stories over a longer period of time, established by employing long exposure techniques. They are all done in monotone to accentuate the forms, lines, and contrast.
Approached by experimenting with long exposures
As I moved, the great wall of the grand palace was slightly delayed and started to parade.
The smearing of traffic and car lights painted on my vision tells me that I’m not moving alone.
The slow shutter speed gives me the scene of how cars left their beautiful footprints in time.
Moving my sight so quickly lets things in different spots come together in a shot.
Those cars and buses are given enough time to tell me where they are going.
This is the point where I knew how rock & roll these Giraffes are.
Once, I had been turning back, but, now, not at all, I’m facing it.
Just from 7 to 8, only one second, they left numbers of referent bodies. And, yeah, they head straight with no turns. I knew it.
Systematically irrational movements, where they are not attending the same thing but moving the same way.
When some moves, some are still. They are coming from nowhere and going nowhere. Nothing is identical, but here in the junction for a moment in time.
The transmission of the missing being of the man is like the delayed rays of a star, we can see his steps in the past without rewinding tapes.
People are watching the pictures on the wall. Oh. it is too normal. Let’s say, the pictures on the wall have been watched by many people.
